{"id":3984,"date":"2020-05-30T14:46:31","date_gmt":"2020-05-30T14:46:31","guid":{"rendered":"https:\/\/radiounodigital.com\/web\/?p=3984"},"modified":"2020-05-30T14:46:31","modified_gmt":"2020-05-30T14:46:31","slug":"iggy-pops-bowie-years-el-resurgimiento-del-padre-del-punk","status":"publish","type":"post","link":"https:\/\/radiounodigital.com\/web\/2020\/05\/30\/iggy-pops-bowie-years-el-resurgimiento-del-padre-del-punk\/","title":{"rendered":"Iggy Pop\u00b4s Bowie Years: el resurgimiento del padre del punk"},"content":{"rendered":"<h3><strong>El regreso de Iggy Pop en 1977 como artista solista est\u00e1 indisolublemente vinculado a la \u00abTrilog\u00eda de Berl\u00edn\u00bb de David Bowie. The Idiot y Lust For Life, que surgi\u00f3 del torrente creativo que ayud\u00f3 a sanar la psique fracturada de cada artista despu\u00e9s de los recientes golpes.<\/strong><\/h3>\n<p>Con Bowie abandonando su destructivo personaje de Thin White Duke e. Iggy superando el trauma envuelto en hero\u00edna despu\u00e9s de la desintegraci\u00f3n de The Stooges. El trabajo comenz\u00f3 en The Idiot en Francia en el verano de 76. Con eso en septiembre, Bowie comenz\u00f3 en Low, ambos sets terminaron en su nueva casa adoptiva de Berl\u00edn.<\/p>\n<p>La pareja se hab\u00eda reinventado y revitalizado con \u00e9xito, aptos para enfrentar la invasi\u00f3n del punk. No parecer influenciado por el cambio de imagen influenciado por krautrock de Iggy,<\/p>\n<p>Low lleg\u00f3 primero, en enero, los fan\u00e1ticos ya estaban al tanto de sus cambios cuando Iggy comenz\u00f3 su primera gira por el Reino Unido. Con Bowie en los teclados, en marzo, dos semanas antes del lanzamiento de The Idiot. La \u00fanica evidencia en vivo de nuevas direcciones entre los casta\u00f1os de los Chiflados fueron Sister Midnight, China Girl y Funtime.<\/p>\n<p>Justo cuando el mundo estaba descubriendo su antigua banda, Iggy hab\u00eda seguido adelante, prediciendo los a\u00f1os. 80 manejados por una m\u00e1quina mientras desenjaulaba su incontenible ser adulto. Tambi\u00e9n debut\u00f3 en vivo, Turn Blue, Tonight y Some Weird Sin aparecieron en el m\u00e1s optimista Lust For Life seis meses despu\u00e9s. su portada sonriente que encarna su desafiante canci\u00f3n principal, probablemente celebrando el cl\u00e1sico evocador The Passenger.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/kjXYUR7XQR4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h4>El per\u00edodo Bowie estaba terminando cuando lleg\u00f3 el retumbante TV Eye Live de 1978, extra\u00eddo de una gira por Estados Unidos. Las dos obras maestras de Iggy en Berl\u00edn se han reeditado varias veces, pero nunca antes se les hab\u00eda dado el tratamiento de boxset con la marca Bowie.<\/h4>\n<p>Si bien no puede comentar sobre la presentaci\u00f3n o el folleto, en cuanto a la m\u00fasica, todav\u00eda no hay mucho en el box set de 2007 de 1977. Incluidas las mezclas alternativas de Dum Dum Boys, Baby, China Girl y Tiny Girls colocadas entre una variedad de ediciones de singles en Demos &amp; de la nueva colecci\u00f3n. Disco de rarezas, o el concierto de London Rainbow en otro.<\/p>\n<p>Ese programa, el set de Cleveland Agora y la transmisi\u00f3n de Radio WKQX de Chicago ser\u00e1n familiares desde los bootlegs. Nuevas salidas o incluso bromas en el estudio habr\u00edan marcado la diferencia. Pero nada deber\u00eda restar valor a estos dos gloriosos puntos de referencia del estudio. O el hecho de que si Bowie no los hubiera habilitado. Iggy podr\u00eda no haberse marinado en el muy querido padrino punk de hoy, artesano y raconteur<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed?uri=spotify%3Aalbum%3A0WmnKeWRm6VplwYaTZ5ks5\" width=\"600\" height=\"380\" frameborder=\"0\"><\/iframe><\/p>\n<div class=\"fb-background-color\">\n\t\t\t  <div \n\t\t\t  \tclass = \"fb-comments\" \n\t\t\t  \tdata-href = \"https:\/\/radiounodigital.com\/web\/2020\/05\/30\/iggy-pops-bowie-years-el-resurgimiento-del-padre-del-punk\/\"\n\t\t\t  \tdata-numposts = \"10\"\n\t\t\t  \tdata-lazy = \"true\"\n\t\t\t\tdata-colorscheme = \"dark\"\n\t\t\t\tdata-order-by = \"reverse_time\"\n\t\t\t\tdata-mobile=true>\n\t\t\t  <\/div><\/div>\n\t\t  <style>\n\t\t    .fb-background-color {\n\t\t\t\tbackground: #ffffff !important;\n\t\t\t}\n\t\t\t.fb_iframe_widget_fluid_desktop iframe {\n\t\t\t    width: 100% !important;\n\t\t\t}\n\t\t  <\/style>\n\t\t  ","protected":false},"excerpt":{"rendered":"<p>El regreso de Iggy Pop en 1977 como artista solista est\u00e1 indisolublemente vinculado a la \u00abTrilog\u00eda de Berl\u00edn\u00bb de David Bowie. The Idiot y Lust For Life, que surgi\u00f3 del torrente creativo que ayud\u00f3 a sanar la psique fracturada de cada artista despu\u00e9s de los recientes golpes. Con Bowie abandonando su destructivo personaje de Thin&#8230; <a href=\"https:\/\/radiounodigital.com\/web\/2020\/05\/30\/iggy-pops-bowie-years-el-resurgimiento-del-padre-del-punk\/\" class=\"excerpt-read-more\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":3985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[180,128],"tags":[971,653,142,627,143],"class_list":["post-3984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-rock-clasico","tag-bowie-years","tag-iggy-pop","tag-punk","tag-regreso","tag-rock"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Iggy Pop: el resurgimiento del padre del punk - Radio UNO Digital<\/title>\n<meta name=\"description\" content=\"El regreso de Iggy Pop en 1977 como artista solista est\u00e1 indisolublemente vinculado a la &quot;Trilog\u00eda de Berl\u00edn&quot; de David Bowie. 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